Olja Ivanjicki
4 June 2017
2017.06.04 Olja Ivanjicki
一開始覺得她滿瘋狂的，
不過我喜歡走到展場二樓的最後，
在窗邊放了一系列她幫朋友做的三連做，
那是她對朋友的理解。
Yunyu "Ayo" Shih 施昀佑
Work 作品
Mending Wall, A Practice | 築牆練習
I’ll Take Care Of You | 我會好好照顧你
The Manual for Domestic Robot Keana-35® (Hong Kong) | 家用機械人香蘭 35®（香港）說明書
The Seals Are Shedding Their Coats | 海豹脫下外衣的日子
A Manual, How to Bribe A Cop in Colombia | 哥倫比亞警察行賄手冊
The Travels of Clemente | 克萊門特西遊記
On Top of National Anthem | 覆蓋國歌
Anonymous Head(s) | 無名頭像（們）
Ballet House
Untitle Objects | 無題雕塑
A Sickle and Its Manual | 一把鐮刀與說明書
The Thief | 賊子
Farewell to A Building, The DongDongGuan Project | 向建築告別，洞洞館計畫
Prolonged Valediction | 漫長的告別
Exhibitions 展覽
2019.06 Mending Wall, A Practice | 築牆練習
2019.04 即溶生活 Mercurial Boundaries
2018.03 Shared Narrative | 共享叙事
2017.11 杂毛连须公 | SCRAGGLY BEARD GRANDPA
2017.06 When the Other Meets the Other Other
2016.12 Trembling Surface, Long March Space, Beijing
2016.12 游・历, Art Sanya, Sanya
2016.11 You Won’t Be Young Forever, Shanghai
2016.09 Why The Performance, McAM, Shanghai
2016.05 The Seals Are Shedding Their Coats, Practice, NYC
2016.03 出門在外的播放清單, VT Artsalon, Taipei
2015.12 展览的噩梦（下）, 青策計劃, PSA, Shanghai
2015.11 Open Studio, Practice, NYC
2015.08 Echo from the Perpetual Day / 永晝迴聲
2015.05 Sound Performance in Honda Church
Publication 出版
Books 書冊
2019.04 The Manual for Domestic Robot Keana-35® (Hong Kong) | 家用機械人香蘭 35®（香港）說明書
2015.12 A Manual, How to Bribe A Cop in Colombia | 哥倫比亞警察行賄手冊
2012.05 Farewell to A Building, The DongDongGuan Project | 向建築告別，洞洞館計畫
2007.06 Light In Darkness | 後台
Article 文章
Translation 翻譯
2016.07 Thoughts on design | 想設計
2016.05 Unreasonable Behaviour | 不合理的行為
2015.05 Photographie contemporaine, mode d’emploi | 當代攝影的冒險
The Photographer’s Vision | 攝影師之魂
2012.01 The Genius of Photography | 攝影的精神
Editorial Project 編輯
2012.06 One Day, Youngvoice | 昨天發生一件事（發聲誌特別號）
2011.04 Sound, Youngvoice | 聲音誌（發聲誌特別號）
2003 青春期
About 關於我
sentence (1)
All that is solid melts into air, all that is holy is profaned
sentence (2)
and man is at last compelled to face with sober senses his real conditions of life, and his relations with his kind.
